The Hanuman Chalisa, translated by Vikram Seth

The Hanuman Chalisa: Tr. Vikram Seth

Ego gratification or a labour of love?

When Vikram Seth, praised as the ‘best writer of his generation’ by The Times, and author of A Suitable Boy, called ‘the most prodigious work of the latter half of [the twentieth] century’ by, again, The Times, pens a translation of the Hanuman Chalisa, one of the most famous and revered works of 16th century CE Hindu poet, Goswami Tulsidas, one cannot but get a copy. 

 Apart from penning Ramcharitmanas, a retelling of the story of Lord Rama, Tulsidas' other famous work is Hanuman Chalisa, a collection of 40 verses in praise of Hanuman. Hanuman is considered both an avatar of Lord Shiva as well as the son of the wind God, Vayu. He was also a great devotee of Lord Rama. 

Life, Death, and the Ashtavakra Gita, Bibek Debroy and Hindol Sengupta

Life, Death, and the Ashtavakra Gita, Bibek Debroy and Hindol Sengupta

Life, Death and the Ashtavakra Gita” is a combination of a translation of the text by Bibek Debroy, accompanied by an intensely personal reflection by Hindol Sengupta on the Gita and his experiences. 

A Gita means a song. There are some Gitas in Hinduism that are more famous than others. The most well-known Gita is, of course, Krishna’s divine song and discourse, delivered to Arjuna on the battlefield of Kurukshetra—the Bhagavat Gita. The Mahabharata itself has several Gitas, and Bibek Debroy recently wrote a book with translations of 25 such Gitas (Sacred Songs: The Mahabharata’s Many Gitas, pub. Rupa, 2023). Eighty-six shlokas in three chapters from the Teertha-yatra upa parva (in the Aranyaka Parva) of the Mahabharata tell us the most we know about the sage. The Ashtavakra Gita is a dialogue between Sage Ashtavakra and King Janaka. The Ashtavakra Gita itself is however not a part of the Mahabharata. There is a fleeting mention of the sage in the Valmiki Ramayana, a mention in Adhyatma Ramayana, and a little, much later, in Bhavabhuti’s Uttararamacharita. 

The Ashtavakra Gita itself is short—285 shlokas in 20 chapters, and is much shorter than the Bhagavat Gita, which has 700 shlokas over 18 chapters. Unlike the Bhagavat Gita, the Ashtavakra Gita has seen relatively fewer translations and commentaries. Swami Nityaswarupananda in 1940, John Richards in 1994, Rajiv Kapur in 2011-14, Bart Marshall in 2005, and by Swami Chinmayananda in 2014 are some.

Advaita Vedanta posits that the atman and the Brahman are the same, they are not distinct, they are not two. The Ashtavakra Gita is considered one of the most distilled advocations of Advaita Vedanta. As Bibek Debroy writes in the Introduction, “It is a direct and undiluted exposition of advaita (non-dual) Vedanta." To quote, in 2-2, Ashtavakra says, ‘Just as I alone provide illumination to the body, I do that to the universe too. Therefore, either the entire universe belongs to me, or nothing does.’ In 2-5, the sage says, ‘When one reflects on it, a piece of cloth is nothing but strands of thread. In that way, when one reflects about it, the universe is nothing other than the atman.’ The path to moksha (liberation) lies not in a self-sacrificing pursuit of liberation, or even a surrender to a supreme deity, for that itself is an expression of an embedded desire—‘It is extraordinary that though he desires moksha, he is terrified of moksha.’” (3-9). 

Strange Obsession, Shobha De

Strange Obsession, by Shobha De

As strange confessions go, here is one - I hadn't read a single of Shobha De's books till recently. Not one. Not even leafed, browsed, flipped pages of one. Shobha De, 'Cycnicism in chiffon', as a Bollywood superstar had once described her, the queen of sleaze prose, founding editor of gossip rag, Stardust, the 'Jackie Collins of India', a homegrown bestselling author, female icon, and more. And then, one day, on a whim, I picked up Strange Obsession from Bookworm. If Krishna, the proprietor's, eyebrows went up a smidgen, I didn't notice. 

First published in 1992, it is the story of Amrita Aggarwal, a beautiful girl from Delhi who moves to Bombay (as the city was called in 1992, when the book was published, till it became Mumbai) to become a model. A supermodel, at that. And she does. The young, nubile girl attracts the attention of many. Among the many is a mysterious woman named Minx (Meenakshi, actually). Minx is attracted to Amrita in more ways than one, is infatuated and obsessed with Amrita. Minx is well-connected and powerful; she can make or break careers, with a snap of her fingers. She can even make people disappear, again, with a snap of her fingers. Everyone knows it, and yet no one does anything. Such are the ways of high society in Bombay, evidently.

Review: Sacred Songs The Mahabharata's Many Gitas

Sacred Songs: The Mahabharata's Many Gitas, by Bibek Debroy

The Mahabharata, given its encyclopaedic length, unsurprisingly, contains many, many Gitas (songs). Surprisingly though, not many people are aware of the presence of Gitas other than the Bhagwat Gita in the Mahabharata. This book is a selection of 25 Gitas from the Mahabharata, with the Sanskrit verses in Devanagri script, along with their English translation. 

Gita means song. When one mentions the word ‘Gita’ in the context of the Mahabharata, one is invariably referring to the Bhagwat Gita—Krishna’s divine message to Arjuna on the eve of the great battle between the Kauravas and Pandavas in Kurukshetra. However, there are other passages that are also called ‘Gita’. Taken across the Mahabharata, Ramayana, and Puranas, these number over fifty. In this book, Bibek Debroy has selected twenty-five such Gitas, excluding the Bhagwat Gita, from the Mahabharata. 

An obvious question that arises is—what is the criteria for classifying a Gita? In the book’s Introduction, several criteria are listed. One is to take only those that are explicitly called out as such in the Critical Edition of the Mahabharata; only nine qualify. Categorizing expositions and conversations that further an understanding of the purushaarthas (dharma, artha, kaama, moksha) are a more acceptable criterion. This brings the list up to twenty-two. Add the Yaksha Prashna and Sanatsujata and you get twenty-four. The twenty-fifth is the Pandava (or Prapanna) Gita, added on admittedly weaker grounds. 

Shiva Purana, Vol.1, tr. by Bibek Debroy

Shiva Purana, Vol. 1, tr. by Bibek Debroy

Shiva Purana, Vol, 1 is the first of a three-volume unabridged English translation of the Shiva Purana, accompanied by more than one-thousand explanatory footnotes. 

In the corpus of religious texts in Hinduism, the Puranas are classified as smritis (remembered texts), as opposed to the Vedas, that are classified as shruti (those that are heard and divine and timeless in origin). Purana literally means old. They are encyclopaedia texts on many, many topics. Specifically, a Purana is supposed to cover five topics—sarga (cosmogony), pratisarga (cosmology), vamsha (genealogy), manvantara (cosmic cycles), and vamshanucharitam (accounts of royal dynasties). 

There are eighteen major Puranas, also called Maha Puranas. There are minor, or upa, Puranas, and then there are local, or sthala, Puranas that are devoted to sites of religious importance. The Shiva Purana is, interestingly enough, sometimes not counted as one of the 18 major Puranas, mostly on account of the fact that much of this purana is also to be found in Vayu Purana. However, the Shiva Purana is counted as a maha Purana in most enumerations. 

Soufflé, by Anand Ranganathan—Review

Soufflé, by Anand Ranganathan

At under 200 pages, Anand Ranganathan’s fiction thriller-mystery novel is an ideal read on a Delhi-Mumbai or Bangalore-Delhi plane ride. The book starts off in India’s business capital, Mumbai, where, at a lavish party at a luxury hotel, business tycoon Mihir Kothari takes a spoonful of Michelin star chef Rajiv Mehra’s soufflé and drops dead. The police find Rajiv in his hotel room’s bathroom, barely alive after what looks like an attempted suicide. CCTV footage shows him adding what is later confirmed to be cyanide from a vial to the soufflé marked for Mihir Kothari. An open-and-shut case, with a speedy trial and a death sentence guaranteed. Except he is not guilty. He cannot be guilty. Could he? Is he?  

Spy Stories: Inside the Secret World of the RAW and the ISI, by Cathy Scott-Clark Adrian Levy - Review

This is a fast-paced read, but which comes across more as a Pakistan ISI sponsored pamphlet. 

The material is haphazardly put together. The veracity of several key conclusions is unsubstantiated. One has to rely on the authors' word. No corroborative evidence is presented. Pakistan's point of view is presented without critical scrutiny, as gospel. India's external intelligence agency, R&AW, is painted as a diabolical outfit that is incompetent and unaccountable by turn. 

The strife in Kashmir is presented after suppressing all accounts of horrors perpetrated over the decades against the ethnic Hindu minority. Former Pakistan president Pervez Musharraf is shown as a leader who tried to solve the Kashmir crisis, notwithstanding his complicity in several terrorist attacks on India. 

The authors draw an equivalence between terror groups like LeT, Al Qaeda, and Jaish on the one hand and so-called Hindu terror organizations on the other. The authors' dislike for India's National Security Advisor, Ajit Doval, borders on the disturbing. 

The Pulwama terrorist attack of 2019 is hinted at as a "false-flag" operation, using the same line of reasoning that would also make the 9/11 attacks in the United States a similar false flag operation. Yes, truly. 

India is the perpetual aggressor in this book, Pakistan the eternal wronged state at the receiving end. In other words, the authors seek to profit from luring gullible Indians into buying the book by promising them lurid details of spycraft, but delivers a left-liberal screed that whitewashes radical terrorism without compunctions.


© 2023, Abhinav Agarwal (अभिनव अग्रवाल). All rights reserved.

Aryaa: An Anthology of Vedic Women—Review

Aryaa: An Anthology of Vedic Women

(Kindle e-book, Paperback)

Ten Women Who Shaped Ancient India.

Aryaa is a collection of ten stories from Vedic and post-Vedic literature that brings to life the stories of ten women, each unique, each strong, each of whose story is an adventure in itself, and who shaped in small, and big, ways ancient India.

Eight of the women featured figure in the Mahabharata, while two are from the Upanishads. There is Shakuntala, born to an apsara and a sage, and who became the progenitor of the race of the Bharatas. Chitrangada, the warrior princess who married the Pandava Arjuna and whose stepson, Babruvahana, would meet his father in battlefield. One cannot talk about Chitraganda without also writing about Ulupi, the Naga princess who basically kidnapped Arjuna to have as her husband. From that union was born Iravan. The tale of Damayanti is perhaps the most romantic tale ever penned and whose account was narrated to Yudhishthira as a reminder that what was the present had repeated in the past; such was the way of itihasa—history. Subhadra, whose posthumous son was carried on the lineage of the Pandavas. Or Madhavi, who raises her father, Yayati, back to heaven after his fall on the strength of her merits. Then there is Satyavati, the fisherwoman who ensured her lineage survived in the face of the vicissitudes of fate and the dictates of karma. That leaves two women—Gargi and Maitreyi. Their accounts figure prominently in the Brihadaranyaka Upanishad. Whereas Ved Vyasa is considered the composer of the Mahabharata, he is called the collector, organizer, of the Vedas. In that sense, even these two accounts are of women Vyasa wrote about. These two women are not only unique individuals in their own right, but also one of the most learned sages mentioned in the Vedas.